Michael Pauker

"Z.R." - Chine Colle Monoprint with Collage

2012

"Mischen Bin Wohl" - Chine Colle Monoprint with Collage Abstract monoprint by Michael Pauker (American, b. 1957). This piece is made from several layers of collage, including stamps and pages from old books and manuscripts. Atop the collage is a chine colle monoprint, adding a laver of depth. Signed in the lower right corner. Titled and dated on verso. Presented in a new cream mat with foam core backing. Paper size: 14.44"H x 10.32" “I’m driven by curiosity...where it comes from I can’t tell you; it’s just there. And early 20th-century modernist art is the thing that I keep returning to.” - Michael Pauker Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40,” Adam Baumgold Gallery, N.Y., NY 2002 “Works on Paper,” Bryant St. Gallery, Palo Alto, CA 2002 Dolby Chadwick Gallery...

"Linen Starch" - Chine Colle Monoprint with Collage Abstract monoprint by Michael Pauker (American, b. 1957). This piece is made from several layers of collage, including stamps and pages from old books and manuscripts. Atop the collage is a chine colle monoprint, adding a laver of depth. Signed in the lower right corner. Titled and dated on verso. Presented in a new cream mat with foam core backing. Paper size: 14.44"H x 10.32" “I’m driven by curiosity...where it comes from I can’t tell you; it’s just there. And early 20th-century modernist art is the thing that I keep returning to.” - Michael Pauker Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40,” Adam Baumgold Gallery, N.Y., NY 2002 “Works on Paper,” Bryant St. Gallery, Palo Alto, CA 2002 Dolby Chadwick Gallery...

Contemporary Circular Figurative Abstract by NanC Meinhardt Evocative contemporary figurative abstract by NanC Meinhardt (American, 20th Century). Reminiscent of her bead...

Wonderful vibrant modernist abstract figurative of a dancing man comprised of inventive shapes, colors, and forms by Michael William Eggleston (American, 20th c.). From a collection ...

Dynamic, expressive rendition of a jazz trio by San Francisco artist Michael William Eggleston (American, 20th century). There are three abstracted figures in this piece - a guitar p...

Wonderful abstracted surreal figure of a spirit by Michael Eggleston (American, 20th Century). This piece is bold and lively, with bright colors and rich blacks. This horned spirit i...

ink and watercolor on paper, 82" x96" This painting is from a new series of works by Jesse Lambert which ink and depict ad-hoc structures that are constructed out of scraps of woo...

Abstract artist Andrew Lui’s ethereal work is rooted in history; that of his own in China and the world around him. Lui’s fluid lines and vivid colours were influenced by his love of...

Dynamic black and gray strokes of acrylic paint give the impression of galloping horses in this abstract painting by Andrew Lui. Lui continues to use the expressive and elegant movem...

Like the Westerns I grew up with, my own work is camouflaged in a veil of nostalgia. The figures in my work are often portrayed against a stark background. This forces the viewer to recognize the myth before the critique exposes itself. I work from observation and my imagination using watercolor and traditional printmaking methods. The figurative images I create are heavily researched. By using the West, a subject that I am both familiar with and continue to question, I aim to engage with our inherent perceptions of the past and the myths embedded within. - Jed Webster Smith

Like the Westerns I grew up with, my own work is camouflaged in a veil of nostalgia. The figures in my work are often portrayed against a stark background. This forces the viewer to recognize the myth before the critique exposes itself. I work from observation and my imagination using watercolor and traditional printmaking methods. The figurative images I create are heavily researched. By using the West, a subject that I am both familiar with and continue to question, I aim to engage with our inherent perceptions of the past and the myths embedded within. - Jed Webster Smith

Like the Westerns I grew up with, my own work is camouflaged in a veil of nostalgia. The figures in my work are often portrayed against a stark background. This forces the viewer to recognize the myth before the critique exposes itself. I work from observation and my imagination using watercolor and traditional printmaking methods. The figurative images I create are heavily researched. By using the West, a subject that I am both familiar with and continue to question, I aim to engage with our inherent perceptions of the past and the myths embedded within. - Jed Webster Smith